Editorial in November/December ‘12 issue of Wonderland Magazine, model wears a leather jacket by Dior Homme and a shirt by J.W. Anderson.
Photography by Rory Payne, Fashion by Stephen Mann.
Art direction and design by USEFUL.
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KRISVANASSHE AW13 CATALOG
PHOTOGRAPHY: BRUNO STAUB
ART DIRECTION AND ARTWORK: NICOLÁS SANTOS
STYLING: MAURICIO NARDI
HAIR: JOSEPH PUJALTE
MAKE UP: CAROLE COLOMBANI
MODELS:
GEORGE DE SAINT MARS
MATTHIEU GRÉGOIRE
BAPTISTE FAURE
KRISVANASSHE AW13 CATALOG
PHOTOGRAPHY: BRUNO STAUB
ART DIRECTION AND ARTWORK: NICOLÁS SANTOS
STYLING: MAURICIO NARDI
HAIR: JOSEPH PUJALTE
MAKE UP: CAROLE COLOMBANI
MODELS:
GEORGE DE SAINT MARS
MATTHIEU GRÉGOIRE
BAPTISTE FAURE
Jerusalem street art
Andrea Galvani (b. 1973, Italy) – TOP: The Intelligence of Evil #5, 2007 BOTTOM: The Intelligence of Evil #6, 2007 Photography
Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.
Brian Eno (via jessiethatcher)
Indeed, the condition of human nature is just this; man towers above the rest of creation so long as he recognizes his own nature, and when he forgets it, he sinks lower than the beasts. For other living things to be ignorant of themselves, is natural; but for man it is a defect.
Boethius: The Consolation of Philosophy, II.v (via apesoformythoughts)
